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Completed in 2015 in Milano, Italy. Images by Charlie Koolhaas - OMA, Bas .
“Monte di Pietà” si sviluppa come un’installazione immersiva che si articola nel palazzo di Ca’ .Fondazione Prada. Located in a former gin distillery dating from 1910 in the Largo Isarco .
Completed in 2015 in Milano, Italy. Images by Charlie Koolhaas - OMA, Bas Princen - Fondazione Prada. It is surprising that the enormous expansion of the art system has taken place in a reduced.
“Monte di Pietà” si sviluppa come un’installazione immersiva che si articola nel palazzo di Ca’ Corner e, in particolare, nel piano terra, mezzanino e primo piano nobile. Il progetto consiste in un banco dei pegni in fallimento basato sull’aspetto originale del Monte di Pietà di Venezia.Fondazione Prada. Located in a former gin distillery dating from 1910 in the Largo Isarco industrial complex on the southern edge of Milan, the new home of Fondazione Prada is a coexistence of new and regenerated buildings including warehouses, laboratories and brewing silos, as well as new buildings surrounding a large courtyard. Read more.Designed by the Office for Metropolitan Architecture (OMA), this cultural center comprises ten buildings — seven existing structures, dating back to 1910, and three new constructions — which combine to form a sprawling complex of art galleries, .Unlike most other preservation projects, including the Neues Museum and the Park Avenue Armory, which build on structures that occupy prominent urban locations and possess plainly evident historic significance, the Fondazione Prada converts a collection of banal buildings—an early-twentieth-century former distillery complex—in a peripheral .
On the occasion of the Venice Biennale, Fondazione Prada presents Monte di Pietà, an immersive installation unfolding within the Ca’ Corner della Regina palace. The project consists of a pawnshop in bankruptcy based on the original appearance of . The 60-meters high Torre is realized in exposed white concrete. The new building further develops the repertoire of different exhibition conditions that together define the architectural vision.
The firm’s latest achievement, a complex of renovated distillery structures and new buildings in Milan’s industrial area that now houses the Prada Foundation, ranks up there with the first proof of its abilities, the 1992 Rotterdam Kunsthal.
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Commissioned by Fondazione Prada, the project embraces a coexistence of new architecture with the regeneration of an early 20th-century gin distillery that includes warehouses, laboratories and brewing silos, as well as new buildings surrounding a large courtyard. With its extra exhibition space the Prada Foundation is now the largest contemporary art museum in Europe to be supported by private funds. The new building, which looks like a concrete water tower as if it were designed by the futurist sculptor Umberto Boccioni, provides about 2,000sq m gallery space on top of the 11,000sq m the site already has. Completed in 2015 in Milano, Italy. Images by Charlie Koolhaas - OMA, Bas Princen - Fondazione Prada. It is surprising that the enormous expansion of the art system has taken place in a reduced.
“Monte di Pietà” si sviluppa come un’installazione immersiva che si articola nel palazzo di Ca’ Corner e, in particolare, nel piano terra, mezzanino e primo piano nobile. Il progetto consiste in un banco dei pegni in fallimento basato sull’aspetto originale del Monte di Pietà di Venezia.Fondazione Prada. Located in a former gin distillery dating from 1910 in the Largo Isarco industrial complex on the southern edge of Milan, the new home of Fondazione Prada is a coexistence of new and regenerated buildings including warehouses, laboratories and brewing silos, as well as new buildings surrounding a large courtyard. Read more.Designed by the Office for Metropolitan Architecture (OMA), this cultural center comprises ten buildings — seven existing structures, dating back to 1910, and three new constructions — which combine to form a sprawling complex of art galleries, .
Unlike most other preservation projects, including the Neues Museum and the Park Avenue Armory, which build on structures that occupy prominent urban locations and possess plainly evident historic significance, the Fondazione Prada converts a collection of banal buildings—an early-twentieth-century former distillery complex—in a peripheral . On the occasion of the Venice Biennale, Fondazione Prada presents Monte di Pietà, an immersive installation unfolding within the Ca’ Corner della Regina palace. The project consists of a pawnshop in bankruptcy based on the original appearance of .
The 60-meters high Torre is realized in exposed white concrete. The new building further develops the repertoire of different exhibition conditions that together define the architectural vision.
The firm’s latest achievement, a complex of renovated distillery structures and new buildings in Milan’s industrial area that now houses the Prada Foundation, ranks up there with the first proof of its abilities, the 1992 Rotterdam Kunsthal. Commissioned by Fondazione Prada, the project embraces a coexistence of new architecture with the regeneration of an early 20th-century gin distillery that includes warehouses, laboratories and brewing silos, as well as new buildings surrounding a large courtyard.
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